Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Tuesday, September 8, 2026

AI in the Indie Author's Toolbox

 

WRITING  |  PUBLISHING  |  PRACTICAL AI

Editorial note: This article provides general information, not legal advice. Copyright law varies by country, contracts and competitions may impose additional rules, and platform policies can change.

For an indie author, the blank page is rarely the only job on the desk. We are also researchers, editors, continuity checkers, blurb writers, publishers and marketers. Used thoughtfully, artificial intelligence can help with some of that workload. It can suggest questions, organise notes, test an outline, spot an inconsistency or help us see a stubborn paragraph from another angle.

That does not mean handing over the book. A useful way to think about AI is as a fast, imperfect assistant: available at any hour, good at generating options, and entirely incapable of caring about your characters the way you do. The author still supplies the imagination, judgement, lived experience, voice and final words.

The sensible conversation is not simply, "AI: yes or no?" It is: What task is the tool doing? What material are we giving it? What are we putting into the finished book? Are we respecting other creators, our readers and the rules of the places where we publish?

Where AI can genuinely help an indie author

AI is most valuable when it supports decisions rather than making them for you. That leaves plenty of useful territory.

·      Brainstorming: Ask for ten possible complications, settings, motives or research questions, then choose, combine or reject them yourself.

·      Planning: Turn your own story notes into a scene list, timeline or character-question sheet that you can revise.

·      Problem-solving: Describe why a chapter feels flat and ask the tool to identify possible causes, not to write the replacement chapter.

·      Revision support: Ask for repetition, unclear references, abrupt changes of tense or continuity risks. Treat the result as a list to investigate, not a verdict.

·      Reader simulation: Ask what questions a new reader might have after a synopsis or sample. An AI reaction is not a substitute for beta readers, but it can expose blind spots before the manuscript reaches them.

·      Publishing admin: Draft checklists, launch timelines, newsletter subject lines or several versions of a blurb for you to rewrite in your own voice.

AI is less trustworthy when a task requires truth, permission or taste. It can invent facts and sources, reproduce stereotypes, misunderstand context and produce language that resembles existing material. It cannot give you a reliable legal clearance, replace a professional editor or sensitivity reader, or decide what belongs in your book.

The safest model: human-led and AI-assisted

A strong working rule is simple: use AI to expand your choices, then use human judgement to make the work. The more of the final expression that comes directly from a generator, the greater the questions around copyright, disclosure, reader trust and originality.

1.       Start with your purpose. Decide whether you need questions, options, organisation or a check. A narrow task gives you a more useful result.

2.       Protect your material. Before uploading an unpublished manuscript, client work, personal information or someone else's text, read the tool's current privacy and data-use settings. Do not assume a private chat means confidential treatment.

3.       Ask for possibilities, not authority. "What might I investigate?" is safer than "Tell me the facts." Never rely on invented citations.

4.       Verify everything factual. Check history, medicine, law, quotations, cultural details and real people against trustworthy sources.

5.       Write and revise as the author. Make the decisions, create the final language and remove anything generic, false or unlike you.

6.       Keep a simple record. Save your outlines, drafts, prompts, revision notes and version history. That evidence helps show what you contributed and why you made each creative choice.

7.       Do a rights and rules check. Review the AI tool's terms, your publishing contracts, Amazon's current guidelines, and any competition, grant or award rules that apply.

Copyright: what indie authors need to understand

There is no single worldwide rule for AI and copyright. The answer depends on the country, the amount and type of human creativity, the material supplied to the tool, the generated output and what the author later changes. That is why sweeping claims such as "AI touched it, so nobody owns it" are misleading.

For Australian authors

In Australia, copyright in an original literary work is generally automatic once the work is created and recorded; there is no copyright registration system for ordinary literary works. However, IP Australia warns that many forms of copyright protection require a human author, and the extent of AI use can create complex questions about whether protection applies. Government work on copyright and AI is continuing, so this is an area to watch rather than a settled one-line rule.

The practical lesson is to keep the human contribution substantial and visible. Preserve your plans and drafts. Use AI for assistance, not as the source of large passages you simply accept. If a contract, dispute or commercially important project turns on the answer, obtain advice for your circumstances.

For books sold or registered in the United States

The U.S. Copyright Office stated in 2025 that AI-assisted human creativity can still be protected. Human-written expression, creative selection and arrangement, and sufficiently creative human modifications may qualify. Purely AI-generated material does not, and prompts alone generally do not provide enough human control. A mixed book may therefore have copyright in its human-authored parts without protection extending to its purely machine-generated passages.

Plain-English takeaway: Using AI as a tool does not automatically cancel copyright in your whole book. But pasting generated prose into the manuscript can reduce what is protectable and may trigger disclosure or contract issues.

There is also an infringement question

Ownership of your contribution is only half the picture. An output can still be too close to someone else's protected expression, and an AI tool cannot promise that its answer is unique or cleared for use. Do not ask it to imitate a living author's voice. Do not feed it material you do not have permission to use. Search distinctive phrases, investigate suspiciously polished passages and rewrite from your own understanding.

Amazon KDP's current rules on AI

First, a helpful correction: Amazon does not make laws. It sets platform policies and contractual conditions for KDP. Those rules matter because Amazon can reject or remove a book that does not comply, but they are separate from copyright law.

As checked on 8 September 2026, KDP requires publishers to tell Amazon about AI-generated text, images or translations when publishing a new book or editing and republishing an existing one. This includes AI-generated cover and interior artwork.

KDP defines the categories by who created the actual content:

·      AI-generated: An AI tool created the actual text, image or translation. Amazon says it remains AI-generated even if you substantially edit it afterwards.

·      AI-assisted: You created the content and used AI to brainstorm, edit, refine, error-check or otherwise improve it. KDP says this category does not need to be disclosed to Amazon.

That distinction is narrower than many everyday conversations about AI. If a generator writes a paragraph and you polish it heavily, Amazon still calls the paragraph AI-generated. If the generator suggests ideas or comments on your paragraph and you write the final words, Amazon calls that AI-assisted.

Disclosure to Amazon is not the end of your responsibility. KDP says both generated and assisted material must follow its content guidelines and intellectual-property rules. Its guidelines apply to the book's content, title, cover art and product description, and it can act against misleading or poor-quality material.

Answer KDP's disclosure questions accurately, check the live Content Guidelines, review every generated element including images and translations, and keep a note of what tool created what. Do not assume yesterday's policy is today's policy.

Should you tell readers?

Amazon's current rule tells you what must be disclosed to Amazon. Reader-facing disclosure is a separate ethical and business decision, and a publisher, award, competition or professional association may have stricter requirements.

For ordinary spell-checking, brainstorming or feedback on text you wrote, a public label may add more confusion than clarity. For substantial generated prose, images, translation or narration, transparency is wiser. The Authors Guild recommends publicly disclosing substantial generated text, and the Australian Society of Authors also emphasises transparency and reader trust.

A useful disclosure is specific rather than dramatic: "The author used an AI tool to organise research questions and check continuity. The story, final prose and editorial decisions are the author's own." If generated material remains in the book, say what it is. Accuracy builds more trust than either secrecy or a vague "made with AI" label.

How to respond when other authors object

Some objections come from real harm and uncertainty. Authors are concerned about books being used to train models without permission or payment, loss of creative work, undisclosed machine-written books, imitation of distinctive voices and a flood of low-quality content. You do not have to agree with every conclusion to acknowledge that those concerns deserve respect.

At the same time, nobody is entitled to bully you. A discussion about ethics is not a licence for personal attacks. The goal is to answer good-faith questions clearly, correct false claims once, and protect your time when the conversation becomes abusive.

A four-step response

1.       Listen for the actual concern. Is the person asking about training data, copyright, disclosure, quality or jobs? Do not answer a concern they did not raise.

2.       Describe your practice, not all AI use. Explain the tasks you use it for, the tasks you will not delegate, and how you verify the result.

3.       Share the rule that applies. Link to KDP or a copyright authority when a factual claim is disputed. Avoid turning your personal boundary into universal law.

4.       Set a limit. You can end a circular discussion, hide abuse on your own page or moderate comments under a clearly stated policy.

Ready-to-use replies

For a sincere concern:

Reply: I understand why authors are concerned about consent, training data and the value of human work. My own use is limited to brainstorming, organisation and revision checks. I write the final prose, verify the information and remain responsible for the book.

For a blanket accusation that AI use means the book is not yours:

Reply: AI use covers a wide range, from a spell-check to generated chapters. In my process it is an assistant, not the author. I keep my drafts, make the creative decisions and follow the platform rules. We may choose different tools, but that does not make either of us less committed to good writing.

For a factual claim about Amazon:

Reply: Amazon currently distinguishes AI-generated content from AI-assisted content. Generated text, images or translations must be disclosed to KDP; assisted content does not require that disclosure. Here is the current KDP guideline so we can discuss the same rule.

For a hostile or insulting comment:

Reply: I am happy to discuss my process and the ethical questions around AI. I am not available for personal insults. I will leave the conversation here.

Then leave it there. A boundary becomes less useful each time you reopen the argument. You do not need to win over everyone, and you should never organise followers against a critic. Respond to the point, not the person's character.

A simple ethical checklist

·      I can explain exactly what the AI did and what I did.

·      The final story, voice and creative decisions are genuinely mine.

·      I have fact-checked claims and independently verified sources.

·      I have not asked for imitation of a living author or used material without permission.

·      I have checked privacy settings before uploading unpublished or sensitive material.

·      I have reviewed my contracts, competition rules and the current KDP guidelines.

·      My disclosure, where needed, is accurate and specific.

·      I would be comfortable explaining this process to a reader, editor or fellow author.

The tool does not get the final word

Indie authors have always built books with tools: dictionaries, critique groups, reference books, editors, formatting software and search engines. AI is more complicated because it can generate new material, and because the way many systems were trained raises serious questions for creators. That calls for care, not panic and not blind enthusiasm.

Used responsibly, AI can return time and momentum to the person who matters most in the process: the author. Let it ask questions. Let it organise. Let it point to a weak spot. But keep your hands on the story, your standards on the page and your name attached only to work you are prepared to own.

Where do you draw the line in your own writing process? Which uses feel helpful, and which parts of authorship will you always keep entirely human?



I welcome mature discussion, but I think it is unfair to make assumptions about an entire creative project based on one element of it. Using AI for a cover, image or promotional material does not mean the book, music or other work was created by AI, or that the creator had no involvement in it.

Would an independently published author be considered less of a real author because they are not traditionally published? Does using an editor, proofreader, formatter, cover designer, stock image, Photoshop or Vellum mean an author did not create their book?

The same applies across creative fields. Musicians use recording software, auto-tune, samples, sound engineers and session musicians. Photographers use Lightroom and Photoshop. Filmmakers use CGI, colour grading, editors and special-effects teams.

Creative work has always involved tools, collaboration and evolving technology. The creator’s vision, choices, story and effort still matter.

Sources and policy links

Checked 8 September 2026. Recheck platform policies before publishing.

Amazon KDP Content Guidelines - Current definitions of AI-generated and AI-assisted content, disclosure obligations, intellectual-property responsibility and quality rules.

IP Australia: Considerations when using AI to create IP - Australia-specific guidance on human authorship, tool terms, privacy, records and output risks.

IP Australia: Copyright infringement - General Australian copyright basics, including automatic protection for original literary works.

IP Australia: Key copyright policy priorities - Current overview of Australia's continuing work on copyright and AI.

U.S. Copyright Office: Copyright and Artificial Intelligence, Part 2 - Official summary of human authorship, AI-assisted work and copyrightability.

Australian Society of Authors: AI guidance for creators - Creator-focused cautions on contracts, privacy, disclosure and industry trust.

Authors Guild: AI Best Practices for Authors - Professional guidance on generated text, fact-checking, contracts, disclosure and respect for other authors.


Monday, May 12, 2014

UP CLOSE AND PERSONAL WITH author Patricia Puddle – Ominous Series



Where were you born and where do you call home?
I was born in Scunthorpe in England and came to Australia just before my thirteenth birthday. I now live on the Mid North Coast of NSW in a quaint little village where I write.

Tell us about something that has just happened or is about to happen in your life that you would like to share.
After writing and illustrating children's books, I decided to try Fantasy Romance. I loved writing romance so much that I am also writing two more series. Plus I have Comedy/Horror story half written too. I also have  two children’s books that need editing before publishing. It’s just finding the time.

What inspired you to start writing, and when?
As a young child, I missed a lot of schooling due to childhood illnesses and operations. Unfortunately, I had an extremely mean teacher for the next few years, who never helped me to catch up to the other students. Instead, she used to send me home with another girl that got behind with her lessons. Of course we never went home or told our parents. We used to go to the park or climb up the mountains of rubble from a demolished building we called  The Brick Field. We even rummaged through garbage bins and collected used bubblegum from the pavement to make a giant ball. One day we spied through the kitchen window of a little boy we liked at school. Of course we got caught and busted for that. My parents ended up banning me from playing with my best friend so when I was older  and finally learned how to write better, I turned my childhood memoirs into fictitious children’s books, which became my Rascals Series.

How many books have you written?  If more than one, are any a series…or trilogy?
I have Written and published seven books and have another ten that I’m writing at the moment. I have written and published two in my Ominous Series and I’m presently writing the third. There will be more in that series, then I’ll be starting my Innocent Love Series and My Delusional Series. My Children’s series are, The Rascals, Velvet Ball & The Broken Fairy, and Molly Gumnut.

What is the name of your most recent book and please sum it up in 50 words or less.
Fallen Angel is a prequel to Ominous Love. It’s a fantasy romance where two guardian angels fall in love with the same girl and fight for her heart. I wrote Ominous Love first, but fans requested more history on why the angels both wanted the same girl.

If you gave one of your characters in any of your books  an opportunity to speak for themselves outside the realm of the story, what would they say?
Nathaniel would say: “I never chose to fall for a human, it just happened. Whether I’m banished to Earth or have my wings, I will do my utmost to save Eloise from Evil and protect her from danger. She is my only reason for being.

Do you have plans for a new book?
I have so many new books started and even some book covers all ready.
  
Do you prefer ebooks, paperbacks or hardcover?
eBook. I love reading in the dark on my iPad and know it will turn off if I fall asleep. Plus you don’t have to hold them.

Where do you prefer to buy your books?
Amazon, Smashwords, iTunes.

Are you a self- published (Indie) Author?
 Yes, and proud of it, since I taught myself to write, publish, and market my books.

Who designed the cover of your book?

Do you find yourself intrigued by the cover of a book enough to buy it? 
Definitely.

What Music inspires your writing?
Nathaniel Willemse, Birdy, Bruno Mars, One Direction, and Robin Thick. Oh, and Taylor Henderson.

Do you have any advice for other writers?
Never give another author a bad review. If you really don’t like a book, don’t review it.

Did you have a favorite toy as a child?
Yes, a doll that my father bought me. I loved that doll, but had to leave it in the hospital a year later as the nurses said it had germs. I was terribly upset, and even though my dad bought me another doll, it wasn’t the same. I believed my dolls were real and could feel pain.

An early childhood memory 
When I was six, I accidently wet my pants because the teacher wouldn’t let me go to the bathroom during class. At playtime, I sneaked to the back of the classroom and stuffed them down the back of the radiator to dry.  Trouble was they stunk out the classroom and the teacher checked everyone to see who was wet. She didn’t suspect me cause my pants were warm and dry.

Do you ever write in your PJ’s?
Oh, yes. I love writing in my pajamas. Especially when I’m near the end of a book and keep going day and night.

What are your pet peeves?
Power cuts when there are storm, especially when you’re uploading a new book to publish.

Any pets that you would like to tell us about, share a pic?
image038We had three adorable guinea pigs we rescues from being sold for snake food.  It was sad when they eventually died. They were so adorable. Also I cared for an injured baby bandicoot that was injured by a cat. After he recovered, I let him go back to the wild, then I wrote a fictitious children’s book about him. Called Molly Gumnut Rescues a Bandicoot. We also have kangaroos and wallabies right outside our window.


What are your favorite food and beverage?
Stir fried veggies, curries. Veggie Juice, Yogurt smoothies, Herb teas.

What hobbies do you have not relating to writing?
I love power walking on the highway because there are no bumps to trip over like in my surrounding streets. We live on a country dirt road.
I also love doing a doing weights. I build rock walls when I have stones to work with. I uses to sew and make rag dolls and their clothes before I started writing, then I would photograph them in the woods. Here is a link to see them: http://trish-mollygumnut.blogspot.com.au/2012/03/my-raggedy-tots.html

Do you write outside of your favorite genre?  Why?
Yes, if a story pops into my head. I’ve written: Children’s Books, Fantasy Romance, kids songs, and I’m writing Comedy/Horror, plus a Cookery Book. I plan other genres as well.

In your case, how many hours do you devote to research and writing per day?
I average sixteen hours per day.

What are 4 things you never leave home without (apart from keys, money and phone)?
iPAd, iPhone. Note book & pen, makeup.

Sleep in or get up early?
Both, depending. I write and sleep when I’m falling asleep at the computer.

Laptop or desktop for writing?
Laptop.

Your favorite gadget -
IPad. 

Where and when do you prefer to do your writing?
 In my home office anytime.

Where is one place in the world that you would really love to visit someday?
America.

List 3 of your favorite movies?
Man of Steel, Gone With The Wind,  Ghost.

An actor, author or a book character you admire.
Angeline Jolie

What is a movie or TV show that you watched just recently and really enjoyed?
Man of Steel with Henry Cavil. Loved it!

If your book was made into a TV series or Movie, what actors would you like to see playing your characters?  Feel free to add pics.
Henry Cavill for Nathaniel. Birdie or Selina Gomez  for Eloise. Johnny Ruffo for the cheeky Tom. But for Devlin, well that’s a hard one. Here is my Pinterest board of who I would like to play my characters;
Where can your readers stalk you?
My Children’s book Blog: http://trish-mollygumnut.blogspot.com.au/
Is your book in Print, ebook or both?
My books are in both.

Thank you so much for taking the time to do this interview, it has been fun, and allowing us a glimpse into your writing word.  I hope you share this interview with your friends so we can all get to know you a little better. 

 Patti Roberts.
Author/Book cover designer & format 
WEB - HERE
Facebook - HERE

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Sunday, August 4, 2013

Writing Tips From Authors - And how they became published authors

New publication coming soon - Indie authors welcome to participate.


Packed with  loads of tips from successful Indie authors.
Dear reader, regardless to whether you are a budding writer, or a successfully published author, I hope you enjoy reading the stories, interviews and shared advice from some very talented people. I hope you find the information in this book not only interesting but also insightful. Perhaps you will take something interesting from this book that will assist you on your own writing journey. For those published authors that would like to share their story with others, you can contact me on pattiroberts7@gmail.com anytime.
On behalf of all the authors involved, thank you, enjoy the book.

For further information regarding this publication, Writing Tips From Authors, you can contact me at pattiroberts7@gmail.com 
Goodreads - http://www.goodreads.com/book/show/18278316-writing-tips-from-authors---and-how-they-became-published-authors

DEDICATION
This book is dedicated to all those souls that spend hours, days, months, even years, with the sole purpose of entertaining others with the written word.

Thank you for dropping by.. If you have enjoyed reading this post, please share it with your friends - especially if you think they would like to be involved.

Twitter - https://twitter.com/PattiRoberts7







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Feel free to share this post on your own blog :)


Cover by Paradox book cover design and formatting - HERE

Tuesday, September 20, 2011

Paradox Series - Before history was written… before humanity drew its first breath… the war had already begun.




The Paradox Series

Before history was written… before humanity drew its first breath… the war had already begun.

In the Time Before Time, angelic races ruled creation—beings of blinding light and unspeakable darkness. When the first angels fell, they did not fade into oblivion. They rose again as something far more terrifying.

The original vampires.

Immortal. Ruthless. Predatory.

They claimed a newborn world called Earth as their hunting ground.

Humanity never saw them coming.

As vampire dominion spreads across continents, cities crumble beneath hidden terror and blood-soaked ambition. The hunters become the hunted. Entire bloodlines vanish. The balance of creation fractures.

But Heaven does not remain silent.

A race of guardian angels descends—not only to defend their own, but to preserve the fragile existence of humankind. Ancient kingdoms ignite. Supernatural alliances splinter. Gods awaken. Magic returns.

And at the center of this escalating war stands one unsuspecting girl.

Grace Connors carries a power older than the stars—a living key to both salvation and annihilation. She holds the past and the future in her hands, though she does not yet understand the cost of what she is.

Because in a universe where angels fall and monsters wear beautiful faces, destiny is never gentle.

Sweeping across galaxies, centuries, and realms, The Paradox Series is an epic saga of celestial warfare, fallen immortals, forbidden love, and brutal choices—where heaven and hell are not distant realms, but forces battling within the human soul.

And when the final line is drawn…

Who will survive?

What Readers Are Saying

• Immersive world-building – Readers say the world of angels, fallen angels, vampires, and the supernatural is rich, detailed, and captivating, making it feel like you’re inside the story rather than just reading it.
• Strong emotional pull – Several reviewers mention being emotionally invested in the characters, especially the protagonist (Grace), with some saying the book moved them deeply and tugged at their heartstrings.
• Well-developed characters – The cast is described as believable and engaging, with readers appreciating the depth and nuances of their personalities.
• Fast-paced, gripping storytelling – Many reviews highlight that the series is engaging and “hard to put down,” with twists and evolving plotlines that keep readers hooked.
• Detailed prose and visual storytelling – Some readers praise Patti Roberts’ descriptive writing, saying it evokes vivid scenes and pulls them into the setting.

📌 What Some Fans Specifically Like

✔️ The blend of fantasy, mythology, and romance woven into the angelic lore.
✔️ The emotional depth and relationships between characters.
✔️ The sense of mystery and ongoing world evolution across the series.

📘 Overall Impression:

Fans of Paradox tend to describe it as a compelling paranormal fantasy that delivers big imaginative ideas, well-drawn characters, and an addictive mix of mythology, action, and emotion — ideal for readers who love rich world-building and character-driven fantasy.

The Mystical World of Altair awaits....

Book 1 book trailer




US - ebook from Amazon
UK - ebook from Amazon
Paradox Blog
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Paradox - The Angels Are Here (Book 1 in the Paradox Series)

I love Patti’s style of writing, it is a book you have to read slowly and carefully, but only so that you don’t miss anything, Patti does such a phenomenal job at describing every detail. I have to thank Patti for allowing me to read her novella and I would recommend this book to all. It is a superb book and I think you will all enjoy it as much as I did.  Patti, yes I loved the book, can I ask one question, can I pleaseeeeeee review book 2 for you - it really was the most amazing book I have read in a long time, and that cliffhanger at the end *panting for more* !!  Natalie Hillier

Review by: Suzy Turner on July 28, 2011 : star star star star star
This is so totally different from anything I’ve read recently and I have to say… WOW. Patti Roberts is a truly remarkable writer. The way she weaves her tales among the story is extraordinary. I can honestly say I was in awe of the way she managed to do it. I’d love to have that talent.


Jayde Scott rated it 5 of 5 stars 
There's no doubt Patti Roberts is someone who knows how to build strong characters and a vivid setting. I liked the darker side of some of the angels. It was a unique and convincing way to view spirituality and the angels' role within humanity. I also liked how they were connected to Grace and Grace's role within the larger picture. I do agree with others who said some questions were left unanswered, but I feel that was necessary in order to be able to explore those in detail in books to follow.

I wasn't supposed to read this book until I finished two others I had in front of it. After a peak inside I was sucked in and finished the book in one evening. I rarely give five stars, but the fact that I couldn't sleep until I finished it deserves it. Julia Crane

Patti Roberts writes clearly and evokes an emotional reaction as well as deep thought in her readers, clearly an amazing writer. The reader will look forward to the sequel of this novel. – Krystal

I honestly couldn’t stop reading and finished the book in less than 3 hours because I wanted to know what was going to happen next – Alaiel Kreuz

For myself it gave me my first taste of the world of Angels through Patti Roberts eyes and I was not disappointed. – Darkiss Reads


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